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Wednesday, May 28, 2014

More Wednesday, May 28th, 2014 . . NYC






59°F     Overcast








































7:00pm - 9:00pm



13 Stanton Street, New York, New York 10002



We are happy to announce the launch of the first issue, Tabula Rasa Magazine Volume I: Identity


Join us at our launch party at International Playground , 

May 28th, 2014 

from 7-9pm



Complimentary drinks/water served


DJ Set by Sascha Hosters



At the party, purchase a signed copy and take part in the #tabularasamagazine #intplayground Instagram competition, in which the top five pictures from the party will be awarded a free magazine.



RSVP
Here on Facebook / info@tabularasamagazine.com



See you there!
With love,
Team TR x



–––
PS. If you are a backer from our Indiegogo campaign, you can pick up your complimentary issue/tote bag here


























6-8pm
 refinery rooftop
A new view of indie publishing
63 w 38 st.

























Erik Thomsen Gallery

23 East 67th Street
New York, NY 10065























RSVP here






















at 7:30pm



New York Live Arts
219 West 19th Street, 
New York, 
New York 
10011




May 28 through  31st at 7:30pm



The May 30 performance will be live streamed in collaboration with live streaming startup 2ndLine.tv.




Everything looks like something. But apparently you can’t judge a book by its cover. Despite the interplay and disjunction between essence and appearance, all artistic work uses its perceptual surface (what it looks like, sounds like, feels like, …) as a means of transmission. The aesthetics of a work of art speak to the value systems of its author(s), which are in turn formed through the construction of such eternally slippery terms as beauty



"Within between" is a new evening-length work by Jasperse in collaboration with composer Jonathan Bepler. Over a decade ago, Chris Dohse of Dance Insider referred to the “post-Jasperse style”-presupposing the presence of a “Jasperse" style. If there was (or is) such a style, what are its attributes? Conversely, what other sensibilities might lay outside that purview or even in apparent opposition to it? In defining and drawing from both sets, Jasperse seeks both to embrace and to resist the habits of his own history, to create a cross pollination or catalytic mating of sensibilities, where the work emerges out of the space between what seemed to be distinct terrains









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