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Saturday, June 21, 2014

More Sunday, June 22nd, 2014 . . NYC
































CT-SWaM:
Dark Circuits :Festival::
Sun Jun 22
8p-11p

 

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Eyebeam
540 W21
NY

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CT-SWaM:: Contemporary Temporary - Sound Works and Music and Dark Circuits Festival present: :
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Hans Tammen’s “Dark Circuits” Festival features performers who work in contemporary electronic music practices such as circuit bending, no-input mixers, laptops, turntablism, analogue circuitry, network sniffers, live coding and soldering, plus other instruments we may have never heard of yet.
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(Eyebeam event link)
(FB event link)
Suggested Donation: : $10
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Schedule
1) littleBits Monster Synth
2) Third Eye DarkCircuits Orchestra plays APHERESIS
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APHERESIS is a large multi-movement piece by Hans Tammen for 14 performers of custom-made electronic instruments. The piece is inspired by Earle Brown’s Available Forms, uses a score that is rearranged every time it’s performed, and fuses various contemporary electronic music styles and techniques. It combines contemporary electronic music practices such as circuit bending, no-input mixers, laptops, turntablism, analogue circuitry, network sniffers and synthesis to produce sounds electronically. It is performed by internationally renowned performers Matthew Ostrowski, Andrea Parkins, Dafna Naphtali, Miguel Frasconi, Phillip Stearns, Philip White, Joshua Fried aka RADIO WONDERLAND, Shoko Nagai, Maria Chavez, Satoshi Takeishi, Joker Nies, Mario DeVega, Lars Graugaard and Michael Vorfeld.
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Prior to the APHERESIS performance, the ensemble will present their own version of “live coding” by creating a “littleBits Monster Synth” from 20 kits of the popular Korg littleBits synth. Starting with an empty table, the participants will create a piece by slowly connecting the modules, gradually assembling over 200 modules into an infinite maze of sonic possibilities, propagating in all directions, growing from the middle and springing up, unannounced, in seemingly impossible places. A camera from above will project the maze on the walls for the audience to follow the development, the music is distributed through a quad sound system.
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